This was likely due to the band's increasing commercial popularity, both at home and in the UK. --HisSpaceResearch 01:42, 29 October 2006 (UTC), Yes, Amon Düül and Amon Düül II are radically different bands, both in sound and personnel. The commune had a liberal attitude to artistic freedom, valuing enthusiasm and attitude over artistic ability, and as a result, band membership was fluid; anyone who was part of the commune could be part of the group. Man konnte sich jedoch auf kein gemeinsames musikalisches Konzept einigen. After 1975, the band changed labels and moved towards more accessible music, before finally disbanding in the late 1970s. The members were close to Kommune 1 in Berlin and boasted, for a time, a prominent member in the model and activist Uschi Obermaier. (Source http://www.thing.de/delektro/artikel/eng/ad2/ad-yeti-yogi.html). Seperate articles for the two different bands? Hawkwind hatten sich bereits seit den frühen 1970er Jahren in Großbritannien um die Promotion von Amon Düül verdient gemacht und Gastauftritte wären denkbar gewesen.

Viele der Musiker standen der Kommune 1 in Berlin nahe. "[5] A faction within the commune was more ambitious, conventional and musically structured than the commune society overall. Amon Düül spielte überwiegend improvisierte Musik ohne Songstruktur. Die Titel trugen Namen wie Mama Düül & ihre Sauerkrautband spielt auf oder Ein wunderhübsches Mädchen träumt von Sandosa. deren Geschäftsführer Tomas Neelsen wegen der Veröffentlichung nicht autorisierter Neupressungen alter Alben. Amon Düül II was born of an artistic and political community’s scission called Amon Düül (who recorded during the late sixties a long live session made around collective and free musical improvisations). Die Musik des 1970 erschienenen Films San Domingo brachte den Musikern sogar 1971 den deutschen Filmpreis ein. Posthum wurden die Aufnahmen mit Robert Calvert 1989 als Amon Düül veröffentlicht. https://hu.wikipedia.org/w/index.php?title=Amon_Düül_II&oldid=21732805, Creative Commons Nevezd meg! Recordings were made by the other members but were of very poor quality and were only released later (under the name Amon Düül) to capitalise on the success of Amon Düül II's albums. [1]", I deleted this, on the Allmusic pages I've found nothing similar, probably this is a fake resourcing, or the Allmusic text changed since the time of resourcing. Amon Düül began in 1967 as a radical political art commune of Munich-based artists calling themselves, in part, after the Egyptian Sun God Amon. I made the following changes: When you have finished reviewing my changes, please set the checked parameter below to true or failed to let others know (documentation at {{Sourcecheck}}).

Auf Konzertplakaten wurde Mitte der 1980er Jahre für Amon Düül III geworben, was jedoch vermutlich nur ein PR-Gag der Band Hawkwind war, die diese als Special Guests ankündigte, ohne dass bislang ein Auftritt von Amon-Düül-Musikern belegt wäre. Chris, Falk und Renate versuchten Amon Düül II unter eigener Regie mit zwei neuen Alben Anfang der 1980er Jahre zu neuem Leben zu erwecken, hatten jedoch keinen kommerziellen Erfolg, und das Projekt verschwand rasch wieder in der Versenkung. Die Beurteilung in der Öffentlichkeit war gespalten.

1967 gründete sich in der Leopoldstraße in München eine Künstler-Kommune, die sich nach dem altägyptischen Gott Amon samt einem nicht eindeutig erklärbaren Zusatz „Düül“ benannte. Le deuxième disque comprenait les trois derniers titres qui sont des improvisations. (Source, an interview ith Weinzierl, which can be seen at http://www.thing.de/delektro/artikel/eng/ad2/ad-yeti-yogi.html) —Preceding unsigned comment added by 62.173.92.98 (talk) 16:21, 1 October 2008 (UTC), AFAIK the proper name of the original band is just "Amon Düül", not "Amon Düül I". [1], As well as their albums and live shows ADII received offers to write music for films, winning a German film award, the Deutscher Filmpreis, for their contribution to the film San Domingo. Un article de Wikipédia, l'encyclopédie libre. 4 April 1949), and Renate Knaup-Krötenschwanz (b. Renate Aschauer-Knaup, 1 July 1948). If you have any questions, or need the bot to ignore the links, or the page altogether, please visit this simple FaQ for additional information.

In kurzer Zeit wurden unter Regie von Peter Meisel, Mitinhaber der Hansa Musik Produktion, vier Alben veröffentlicht, meist gleichzeitig mit den Alben von Amon Düül II.

Die Band gilt als einer der wichtigsten Vertreter des Krautrock Geschichte. Amon Düül II (or Amon Düül 2, Pronunciation = Amon Düül) is a German rock band.The group is generally considered to be one of the pioneers of the West German krautrock scene. Amon Düül II A Wikipédiából, a szabad enciklopédiából Az Amon Düül II (vagy Amon Düül 2) egy német krautrock együttes, a műfaj egyik úttörője [ forrás?].

Wolf City is the fifth studio album released by the German Krautrock band Amon Düül II.. Like its predecessor, Carnival in Babylon, Wolf City is a more conventional recording than the band's earlier albums, with shorter track times and more straightforward song structures. Amon Düül was a German political art commune formed out of the student movement of the 1960s that became well known for its free-form musical improvisations.

Im Jahr 2005 erschien ein DVD-Mitschnitt vom Krautrock Meeting des Rockpalast. As I know, however, Düül means "Moon" in türkish, at least the german Wikipedia writes that. Anfang der 1990er Jahre wurde Krautrock wieder salonfähig. It seems to me the deleted sentence has no basis at all, the word is not turkish but persian, uygur, kirgiz or what, and means no moon, but drum. No Turkish dudes involved. Renate Knaup at this point was only contributing minimal vocals but was very much part of the group.

doing here on Wikipedia? Dead external links to Allmusic website – January 2011, http://www.thing.de/delektro/artikel/eng/ad2/ad-yeti-yogi.html, http://www.furious.com/perfect/amonduulII.html, http://www.allmusic.com/cg/amg.dll?p=amg&sql=B1c8j1vsjzzza, https://web.archive.org/web/20060320202156/http://www.furious.com/perfect/amonduul.html, http://www.furious.com/Perfect/amonduul.html, https://en.wikipedia.org/w/index.php?title=Talk:Amon_Düül&oldid=883715282, Start-Class biography (musicians) articles, Low-importance biography (musicians) articles, Creative Commons Attribution-ShareAlike License, If you have discovered URLs which were erroneously considered dead by the bot, you can report them with, If you found an error with any archives or the URLs themselves, you can fix them with, This page was last edited on 17 February 2019, at 03:58. La moitié des titres sont des instrumentaux. (Source http://www.furious.com/perfect/amonduulII.html ), In an interview in The Wire, Chris Karrer referred to a proto-Duul as 'Amon Duul 0'; it consisted of himself, Christian Burchard (later of Embryo) and a couple of others, and mentioned that the tapes of theat formation were still extant. The band emerged from the radical West German commune scene of the late 1960s, with others in the same commune including some of the future founders of the Red Army Faction. The commune consisted mainly of university students, who formed a music group initially to fund the commune, with everyone who lived there joining in to play music whether or not they had any experience or ability. Die Band gilt als einer der wichtigsten Vertreter des Krautrock. When the 1990s brought new exposure and audiences to the original krautrock groups, Chris, Renate, Falk and John reunited and continue to perform as Amon Düül II sporadically.

Gubbubu 18:33, 14 June 2012 (UTC).

Jelen vannak továbbá a progresszív és pszichedelikus rock műfajokban is.

Ebenfalls in den 1980er Jahren versuchte John Weinzierl in England mit Musikern aus Wales den Mythos Amon Düül für eine eigene Band zu nutzen und veröffentlichte als Amon Düül (UK) zwischen 1982 und 1989 immerhin fünf Alben, aber auch er konnte nicht an die Kreativität, geschweige denn den Erfolg der Amon Düül früherer Jahre heranreichen. [5] Releasing an album brought the group greater prominence and they began to tour more widely in Germany and abroad, playing alongside groups such as Tangerine Dream, and in Germany staying in other communes including the pioneering Kommune 1 in Berlin. Bei den unter anderem von Rolf-Ulrich Kaiser und Tangerine Dream initiierten Essener Songtagen 1968 kam es dann zum offiziellen Bruch, als statt einer Band gleich zwei desselben Namens auftraten, Amon Düül und Amon Düül II. On the band's final recording, Paradieswärts Düül (recorded in November and December 1970), the band were: Amon Düül II were formed by the more professionally and technically inclined members of the original collective, with core members Chris Karrer, Falk Rogner, Renate Knaup-Kroetenschwanz, John Weinzierl, and Peter Leopold.

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