Shure KSM32. If you are wanting to use this mic in your recording interface or PA, you better have some phantom power. The KSM32 has a 15 dB pad on it that allows it to handle a maximum SPL of 154 dB, and it also includes a three position bass roll off switch. That resume alone make this mic invaluable to me. It is not a large diaphragm, according to the traditional definition of “large” as “1 inch diameter.” However, Shure claims the 0.75''-diameter diaphragm in the KSM32 … I have done voice work at the station with the KSM44 and punched-in changes in the voice track at home with the KSM32 and cannot hear any difference. The elastic-suspension shock mount is fantastic. Shure unleashed this addition to their fine stable of mics last year.
This has an incredibly smooth top end that is soft and non-fatiguing without sounding dark or lifeless. I feel like I haven’t given it a full test, because I started putting it up in front of electric guitar amps and have kept doing so. Sorry shure. I have a home studio room that is treated but it has 7' ceilings, and I generally like to record drums with minimal microphones, usually the setup is two mics in a Glyn Johns array, with individual mics on kick and snare, and a room mic. Chris Short However, the microphone has been known to fill in a very complete workhorse role.
The highs are relatively smooth, but can sizzle a bit with a sibilant or crispy source. This was the first microphone I purchased when I was setting up my studio, 13 years ago.
But, for those wanting a well built, bright sounding mic, it is a decent value. Not amazing, not great, but I can always count on my KSM 32s to deliver. The Shure KSM32 is a cardioid electret large diaphragm condenser microphone that Shure advertises as being perfect for vocals. It is available in either "champagne" or "charcoal" finishes. It also using phantom power. The mic shares the now-familiar Shure LDC body design, and appears to be well constructed. I'm sure these would be great on other sources as well, I'm just happy about my drum sound. I recently bought a pair used for $650, put them on my drums in the Glyn Johns setup, and was immediately blown away. For my home studio I went with the KSM32. The mic slides easily … Build quality is what you'd expect from Shure. It's easier to grasp, and no visible screws or mounting threads to disrupt the mic's elegant lines. Ive used it on vocals, acoustic guitars, Snares, kick drums, room mics, violins, voice overs all which sounded good. They are absolutely great but cost about $1000.
6 out of 10 is the best I can do. Given how green I was. I've been looking for the right pair of overheard drum mics for some time. When you buy products through links across our site, we may earn an affiliate commission. The Shure KSM32 is a large diaphragm condenser microphone that's for use in the studio or for broadcast purposes. It is accurate & relatively transparent in all of those applications. It is a large electrostatic membrane, so we can put it anywhere. I tested the KSM 32 on vocal and other sources through a Midas H3K console, and found myself using EQ to control the highs, as they were not "silky" but instead a bit too present or forward for my personal tastes. But it is for a reasonably priced mic that I didnt know how to use. They've definitively been outshined by a few other Flashier mics but they always deliver. I've owned pairs of Schoeps, Neumann KM84, CAD e100, various ribbon mics, and recently had been using my Beyer MC930s for overhead duties. The Shure KSM 32 is a single diaphragm, fixed pattern, cardioid condenser microphone intended primarily for studio use, although it has found its way into the live arena as well. (This content has been automatically translated from French). This mic has not only LASTED 13 years of 7 different studios in two states plus regular live use. Shure KSM32 Mic Review / Test 320kbps, 48kHz, m4a Today I review one of the easiest to listen to condenser mics I’ve ever used, the Shure KSM32. A very sturdy cardioid LDC for most "in the field" & studio uses. This is because of its very respectable specifications. Shure KSM32 Cardioid Condenser Microphone. Reviews; Shure KSM27.
I liked the strong grille and the metal construction. I have also used the mic to distant-mic choirs and string sections, and it performs better in those types of situations, where its high frequency capture and reach are a good fit for the task at hand. The Shure KSM32 has a low self noise at 13 dB, and a high sensitivity, making this a relatively quiet microphone. The KSM32s are not small mics and not quite as easy to position, but not really a problem.
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